My photographic practice focuses on constructing images through staged settings. I build scenes and lighting conditions to question what is usually accepted as natural or given. I respond to contradictions that I observe in both personal and collective experience. Each photograph becomes a visualization of discomfort. Artificial light is central to my method. My frames require clarity.
Working primarily with digital photography allows me to manipulate and reshape visual elements while maintaining a sense of authenticity. This intersection between fabrication and credibility defines my visual language. I aim for an immediate sense of attraction, followed by a feeling of unease. I exploit the capacities of my medium to warp reality.